David's creative process has always revolved around the experience of the subject, particularly focusing on a specific place. It extends beyond the physical aspects to encompass its history, its people, and the imprints they leave on the landscape. The process typically commences with drawing, predominantly in black and white. This initial phase allows him to delineate a spectrum of shapes observed in the landscapes, as he seeks out patterns and rhythms often formed by elements such as fences, paths, and roads.

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